Imitation and Expression. Inauthenticity in music according to Giacinto Scelsi
This article focuses on the consequences of a little-known work by Giacinto Scelsi, Rotativa (1930), for the concepts of imitation and expression in music. Critical of the mechanization of art peculiar to the Futurism of his time, the Italian composer allows us to think, against the pseudo-photograp...
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| Format: | Article |
| Language: | English |
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Firenze University Press
2024-02-01
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| Series: | Aisthesis |
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| Online Access: | https://oajournals.fupress.net/index.php/aisthesis/article/view/14296 |