Caryl Churchill’s Artificial and Orificial Bodies: Between Subjective and Non-Subjective Nobody’s Emotion or Affect
This article analyzes the shift from emotion to affect in Caryl Churchill’s writing for the theatre, a process which becomes prominent in the later seventies and culminates in the production of A Mouthful of Birds, a project designed jointly with the choreographer David Lan. The effects of the trans...
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| Format: | Article |
| Language: | English |
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Lodz University Press
2017-10-01
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| Series: | Text Matters |
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| Online Access: | https://czasopisma.uni.lodz.pl/textmatters/article/view/2246 |