Silent Pasts and a Reconfigured Present in Histories of Chinese (New) Opera
The ‘New Chinese Opera’, which emerged in the 1940s, has become a significant part of the performance repertoire, a ‘hot’ research topic and an indispensable subject of historical surveys of Chinese music. The subject matter of these operas ranges from historical events (as in Honghu Red Guards of 1...
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| フォーマット: | 論文 |
| 言語: | deu |
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University of Bologna
2024-12-01
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| シリーズ: | Musica Docta |
| 主題: | |
| オンライン･アクセス: | https://musicadocta.unibo.it/article/view/20904 |