Silent Pasts and a Reconfigured Present in Histories of Chinese (New) Opera
The ‘New Chinese Opera’, which emerged in the 1940s, has become a significant part of the performance repertoire, a ‘hot’ research topic and an indispensable subject of historical surveys of Chinese music. The subject matter of these operas ranges from historical events (as in Honghu Red Guards of 1...
| Hlavní autor: | |
|---|---|
| Médium: | Článek |
| Jazyk: | deu |
| Vydáno: |
University of Bologna
2024-12-01
|
| Edice: | Musica Docta |
| Témata: | |
| On-line přístup: | https://musicadocta.unibo.it/article/view/20904 |