Il fuori e il dopo: l'immagine della finestra nel primo teatro di Maurice Maeterlinck
Maeterlinck's drama is mostly a static drama, where there is very little action and this little is hesitant. This empirical aspect is connected to another (less evident) realization: in Maeterlinck's theatre the future is never made pertinent, it is rather a representational impasse. Castl...
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| Format: | Article |
| Language: | English |
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Milano University Press
2015-01-01
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| Series: | Altre Modernità |
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| Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/4653 |