V.S. Naipaul: lo sguardo e la ricomposizione identitaria in The Enigma of Arrival
In this essay I will explore Naipaul’s novel The Enigma of Arrival (1987), focusing on the problematic theme of identity in relation to visual perception. It is my aim to analyze how his use of visual art – with particular reference to painters John Constable and Giorgio de Chirico – confirms the pr...
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Format: | Article |
Language: | English |
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Milano University Press
2015-01-01
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Series: | Altre Modernità |
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Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/4638 |