Layered Encounters: Mainstream Cinema and the Disaggregate Digital Composite
The digital surface in cinema has, throughout its relatively brief history, been subject to a familiar “iconophobic” tendency, documented by Rosalind Galt (2011), to denigrate surface decoration as “empty spectacle” (p. 2). In early scholarship on computer generated (CG) images in cinema, the digita...
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| Format: | Article |
| Language: | English |
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Edinburgh University Press
2018-06-01
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| Series: | Film-Philosophy |
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| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2018.0070 |