Geografie dello sguardo. Ghirri, Berger, Celati
In chasing the perfect moment—the Barthesian punctum—some photographers seem to harbor a silent desire of possession, a ravenous attitude towards their objects. Luigi Ghirri, on the contrary, imagined his photographs as a sort of “caress” given to ordinary and forgotten places. His research on the l...
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| Format: | Article |
| Language: | deu |
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Università degli Studi di Torino
2018-12-01
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| Series: | CoSMO |
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| Online Access: | https://www.ojs.unito.it/index.php/COSMO/article/view/3082 |