The Roses of Jay DeFeo and Bruce Conner: Belated Thoughts on Intermediality and Friendship
Bruce Conner’s 1967 short film, The White Rose, is an artifact of a particular place and time—Fillmore Street, San Francisco, one day in 1965—and a document of Conner’s friendship with the artist Jay DeFeo, painter of The Rose, the monumental painting at its center, which she labored over for eight...
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| Format: | Artikel |
| Sprache: | English |
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Université de Bourgogne
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| Schriftenreihe: | Interfaces |
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| Online Zugang: | https://journals.openedition.org/interfaces/6087 |