The immersive cave: the multimediality of prehistory between drawing, photography, cinema and 3D

The prehistoric cave can be considered a paradigmatic "image-environment" for its intimate relationship between images (rock paintings, graffiti, carved blocks) and the wall's geological morphology. An embracing and dark space, in which «the image entirely corresponds to the totality...

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Bibliographic Details
Main Authors: Valentina Bartalesi, Tommaso Casini, Annamaria Ducci
Format: Article
Language:English
Published: University of Bologna 2022-02-01
Series:piano b
Subjects:
Online Access:https://pianob.unibo.it/article/view/14293