Instrumental Syncretism in Giacinto Scelsi’s “Ko- Tha” – Three Dances of Shiva (1967), for Guitar Treated as a Percussion Instrument / Sincretismo Instrumental na Obra Kotha – Três Danças de Shiva (1967) para Guitarra Percutida, de Giacinto Scelsi
The idea of investigating the characteristics of Ko-tha, by the Italian composer Giacinto Scelsi (1905-1988), for guitar treated as a percussion instrument, arose fundamentally from the fact that this piece be an unusual composition in the guitar repertoire, which, in our view, has been better assim...
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| Format: | Article |
| Language: | English |
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Conservatório - Escola Profissional das Artes da Madeira "Eng.º Luiz Peter Clode"
2020-06-01
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| Series: | Revista Portuguesa de Educação Artística |
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| Online Access: | https://rpea.madeira.gov.pt/index.php/rpea/article/view/145 |