„Ślub” w manierze performatywnej
<span>By approaching Ślub (The Marriage) as an epistemological dilemma of a human being who has been caught in a trap of the stage, the author proposes to reread and interpret a new W. Gombrowicz’s drama from a performative perspective. While relating to the title of Tadeusz Kantor’s cricotage...
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| Format: | Article |
| Language: | Polish |
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Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu
2013-01-01
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| Series: | Przestrzenie Teorii |
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| Online Access: | http://pressto.amu.edu.pl/index.php/pt/article/view/3383 |