Unfixing the Frame: Visualizing Histories of Transcultural Contact, Exchange & Performance in Prince Roland Bonaparte’s Peaux-Rouges (1884)
This article analyzes the photographic album Peaux-Rouges compiled by Prince Roland Bonaparte in 1884. This album focuses on a troupe of visiting Umonhon (Omaha) Indians in Paris and presents them through tribally specific history and memory. Created within the emergent discourses of nineteenth-cent...
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| Format: | Article |
| Language: | English |
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Association Française d'Etudes Américaines
2019-05-01
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| Series: | Transatlantica |
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| Online Access: | http://journals.openedition.org/transatlantica/10822 |