Willkommen, Bienvenue, Welcome: The Emcee and the Master of Metaphors in Bob Fosse’s Cabaret
This essay examines the role of the Emcee in Bob Fosse’s Cabaret and the film’s capacity to provide a socio-political commentary that is still confronting today.
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2019-10-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/21233 |