Pour une réception dynamique. Théories et œuvres du XXe siècle
During the 20th century, political theatre urges the spectator to perform the duties of a “model” citizen. Through the analysis of the dynamism theory established by Luigi Nono in his musical theatre, this study tries to recognize the aesthetic potential of a “dynamic reception” that aims at making...
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| Format: | Article |
| Language: | English |
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Milano University Press
2019-04-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/11492 |