Voci non umane e orecchi per sentirle: concezioni a confronto nell’incipit della “Notte sul Monte Calvo” strumentato da Musorgskij e da Rimskij-Korsakov
Studies on fantasy literature have carried out an in-depth exploration of the mechanisms of storytelling, but have barely addressed the potential of fantasy in music, often even implying that music cannot possibly express the sense of bewilderment and dizziness that is commonly taken to be one of th...
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| Format: | Article |
| Language: | deu |
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University of Bologna
2017-12-01
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| Series: | Musica Docta |
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| Online Access: | https://musicadocta.unibo.it/article/view/7616 |