Beyond Belief: Chance, Authorship, and the Limits of Comprehension in Gerhard Richter’s <i>Strip</i>

Beyond Belief: Chance, Authorship, and the Limits of Comprehension in Gerhard Richter’s <i>Strip</i>

For nearly six decades, Gerhard Richter has challenged the conceptual and visual limits of contemporary painting. His 2011 work <i>Strip</i> overloads the viewer&#8217;s visual perception. Richter created this unique digital print using a process that deliberately employs chance to c...

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Bibliographic Details
Main Author: James Romaine
Format: Article
Language:English
Published: MDPI AG 2019-04-01
Series:Religions
Subjects:
Gerhard Richter
contemporary painting
<i>Strip</i>
chance
belief
skepticism
authorship
abstract painting
Cologne Cathedral window
Online Access:https://www.mdpi.com/2077-1444/10/4/275

Internet

https://www.mdpi.com/2077-1444/10/4/275

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