Contrafacta of Operatic Arias among the Dominicans of Baroque Silesia
The paper discusses contrafactum practice in the manuscripts of Pius Hancke, a Dominican monk from Silesia. His scores point to pathways for the dissemination of the operatic repertory and document the process of change in its social function associated with the adaptation of secular music to a litu...
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| Format: | Article |
| Language: | deu |
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ZRC SAZU, Založba ZRC
2015-10-01
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| Series: | De Musica Disserenda |
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| Online Access: | https://ojs.zrc-sazu.si/dmd/article/view/3071 |