Interpreting Discontinuity in the Late Works of Debussy
Many writers have commented upon formal discontinuity in Debussy’s music. Robert Sherlaw Johnson compares this discontinuity to the collage technique of Messiaen (1975:102-03); Robert Orledge describes it as mosaic construction (1982:170); Roy Howat refers to it as a definable system of block constr...
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| Format: | Article |
| Language: | English |
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Columbia University Libraries
2004-04-01
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| Series: | Current Musicology |
| Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5036 |