Between the Point of View and the Point of Being: The Space of the Stereoscopic Tours
One of the most interesting features of the travel stereoviews series is not the three-dimensional effect but rather the intertwined outcome of realism and “being-thereness” for the early-20th-century armchair traveler’s experience. On the set of Italy through the Stereoscope, the viewer’s “path...
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| Format: | Article |
| Language: | English |
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Lusófona University
2016-12-01
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| Series: | International Journal of Film and Media Arts |
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| Online Access: | https://revistas.ulusofona.pt/index.php/ijfma/article/view/5709 |