Jocelyn Brooke’s Country: ‘Topologies of the Self’
This essay examines Jocelyn Brooke’s approach to Kentish and Italian landscapes in two autobiographical narratives, The Military Orchid (1948) and The Dog at Clambercrown (1955), which map a geography of the self and embody the cross-fertilisation of an inner landscape and the topography of a region...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2018-12-01
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| Series: | Études Britanniques Contemporaines |
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| Online Access: | http://journals.openedition.org/ebc/4602 |