Tennessee Williams’s post-pastoral Southern gardens in text and on the movie screen
This study explores the representation of the American South in the film adaptations of five plays by the Mississippi-born playwright, Tennessee Williams: A Streetcar Named Desire (Elia Kazan, 1951), Baby Doll (Elia Kazan, 1956), Cat on a Hot Tin Roof (Richard Brooks, 1958), Suddenly Last Summer (Jo...
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| Format: | Article |
| Language: | English |
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Association Française d'Etudes Américaines
2012-01-01
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| Series: | Transatlantica |
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| Online Access: | http://journals.openedition.org/transatlantica/5406 |