L’iconicité filmique. Un métalangage de la perception ?
In which way can the iconic language of filmic images be understood as a metalanguage of the forms of perception? Cinema provides a bilateral iconic orientation: its moving images contain likewise a perceivable perceiving instance and perceivable perceived qualities. Whereas no reference to the form...
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| Format: | Article |
| Language: | English |
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Université de liège
2013-12-01
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| Series: | Signata |
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| Online Access: | http://journals.openedition.org/signata/984 |