Simulacre et modernité : l’illusion d’optique dans On the Western Circuit de Thomas Hardy
This paper focuses on various visual devices which Thomas Hardy chooses to include in his short stories in order to question the Victorian cult of progress, such as photographs, the Crystal Palace or more unexpectedly the phenakistiscope, which clearly lies behind the obsessional description of the...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2007-03-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | http://journals.openedition.org/cve/10659 |