Simulacre et modernité : l’illusion d’optique dans On the Western Circuit de Thomas Hardy

This paper focuses on various visual devices which Thomas Hardy chooses to include in his short stories in order to question the Victorian cult of progress, such as photographs, the Crystal Palace or more unexpectedly the phenakistiscope, which clearly lies behind the obsessional description of the...

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Main Author: Catherine Lanone
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2007-03-01
Series:Cahiers Victoriens et Edouardiens
Online Access:http://journals.openedition.org/cve/10659
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author Catherine Lanone
author_facet Catherine Lanone
author_sort Catherine Lanone
collection DOAJ
description This paper focuses on various visual devices which Thomas Hardy chooses to include in his short stories in order to question the Victorian cult of progress, such as photographs, the Crystal Palace or more unexpectedly the phenakistiscope, which clearly lies behind the obsessional description of the « steam circus » in the short story entitled On the Western Circuit. Although Hardy was forced to bowdlerize his text, removing allusions to sexual intercourse and subsequent pregnancy, the real shock lies less in the hackneyed sentimentality of the illegitimate baby theme than in the depiction of modernity and modern exchanges — or systems of communication through trains, letters, or judicial rounds — as vicious circles breeding spurious desires and fantasies. The novel displays the enticing flickering sparks of desire created by the new wheel of fortune, turning the steam circus into a metaphor of ruthless mutations and hopelessly warped human relationships.
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spelling doaj.art-56cf185af13043d397ff141e0dfd4ebd2022-12-22T00:32:04ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492007-03-016510.4000/cve.10659Simulacre et modernité : l’illusion d’optique dans On the Western Circuit de Thomas HardyCatherine LanoneThis paper focuses on various visual devices which Thomas Hardy chooses to include in his short stories in order to question the Victorian cult of progress, such as photographs, the Crystal Palace or more unexpectedly the phenakistiscope, which clearly lies behind the obsessional description of the « steam circus » in the short story entitled On the Western Circuit. Although Hardy was forced to bowdlerize his text, removing allusions to sexual intercourse and subsequent pregnancy, the real shock lies less in the hackneyed sentimentality of the illegitimate baby theme than in the depiction of modernity and modern exchanges — or systems of communication through trains, letters, or judicial rounds — as vicious circles breeding spurious desires and fantasies. The novel displays the enticing flickering sparks of desire created by the new wheel of fortune, turning the steam circus into a metaphor of ruthless mutations and hopelessly warped human relationships.http://journals.openedition.org/cve/10659
spellingShingle Catherine Lanone
Simulacre et modernité : l’illusion d’optique dans On the Western Circuit de Thomas Hardy
Cahiers Victoriens et Edouardiens
title Simulacre et modernité : l’illusion d’optique dans On the Western Circuit de Thomas Hardy
title_full Simulacre et modernité : l’illusion d’optique dans On the Western Circuit de Thomas Hardy
title_fullStr Simulacre et modernité : l’illusion d’optique dans On the Western Circuit de Thomas Hardy
title_full_unstemmed Simulacre et modernité : l’illusion d’optique dans On the Western Circuit de Thomas Hardy
title_short Simulacre et modernité : l’illusion d’optique dans On the Western Circuit de Thomas Hardy
title_sort simulacre et modernite l illusion d optique dans on the western circuit de thomas hardy
url http://journals.openedition.org/cve/10659
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