The Flagrance of the Sacred. Notes on the Miraculous Event in Ordet by Carl Theodor Dreyer
Can the transcendence of the sacred be represented through the potential of cinema, a medium based on the ontological reproduction of the Real? Can the dimension of the completely Other, whose limits and boundaries are hardly identifiable, come to the screen and become sensitive and perceptible? Thi...
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Format: | Article |
Language: | English |
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Scientia Publishing House
2022-11-01
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Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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Online Access: | https://doi.org/10.2478/ausfm-2022-0009 |