«Tres o cuatro villancicos de las mejores letras»: transmisión y recepción de los villancicos en el Barroco tardío
The exchange, re-use and rewriting texts of villancicos was more than an usual practice among religious musicians and poets who sometimes lent their pen in yhe composition of the series of songs interpreted in different chapels of the Iberian Peninsula. Thus, based on the particular case of the work...
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Format: | Article |
Language: | Spanish |
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Presses universitaires du Mirail
2013-12-01
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Series: | Criticón |
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Online Access: | http://journals.openedition.org/criticon/625 |