Angels, Guests and Sadists: On-Screen Poetry in the Cinema of Pier Paolo Pasolini
This article considers how poetry features in Pasolini’s cinema. It argues that the manner in which Pasolini films poetry provides insight into his theory of an affinity between poetry and film, and into more general judgements concerning social reality. The article begins with an analysis of the fi...
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| Format: | Article |
| Language: | English |
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Edinburgh University Press
2023-10-01
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| Series: | Film-Philosophy |
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| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2023.0238 |