Vernacular modernism and melodramatic imagination in Bajo el cielo antioqueño
This article focuses on the film “Bajo el cielo antioqueño”, directed by Arturo Acevedo Vallarino and released in 1925. First, the collective efforts of the Medellin privileged sectors are described, which participated as investors and as actors. Then, the movie’s appropriation of what could be call...
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| Format: | Article |
| Language: | English |
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Universidad Nacional de Colombia, sede Medellín
2016-12-01
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| Series: | Historia y Sociedad |
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| Online Access: | http://www.revistas.unal.edu.co/index.php/hisysoc/article/view/50597/51482 |