Un "dj set" d'autore. Pratiche compilative nel cinema di Paolo Sorrentino
This essay analyses Paolo Sorrentino’s production from the perspective of the compilation soundtracks he assembles for his films. While “La grande bellezza” appears to synthesize many of the aspects of a patchwork of different songs, the overall compilation resulting from Sorrentino’s entire filmogr...
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| Format: | Article |
| Language: | Italian |
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Università degli Studi di Milano
2020-06-01
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| Series: | Schermi |
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| Online Access: | https://riviste.unimi.it/index.php/schermi/article/view/12984 |