Un "dj set" d'autore. Pratiche compilative nel cinema di Paolo Sorrentino
This essay analyses Paolo Sorrentino’s production from the perspective of the compilation soundtracks he assembles for his films. While “La grande bellezza” appears to synthesize many of the aspects of a patchwork of different songs, the overall compilation resulting from Sorrentino’s entire filmogr...
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Format: | Article |
Language: | Italian |
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Università degli Studi di Milano
2020-06-01
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Series: | Schermi |
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Online Access: | https://riviste.unimi.it/index.php/schermi/article/view/12984 |
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author | Paola Valentini |
author_facet | Paola Valentini |
author_sort | Paola Valentini |
collection | DOAJ |
description | This essay analyses Paolo Sorrentino’s production from the perspective of the compilation soundtracks he assembles for his films. While “La grande bellezza” appears to synthesize many of the aspects of a patchwork of different songs, the overall compilation resulting from Sorrentino’s entire filmography is singularly interesting (from the song “I migliori anni della nostra vita” in “Il divo” and “Che domenica bestiale” in “Loro 1” through to “Senza un perché” in “The Young Pope”, to name but a few). This composition strategy – a playlist, in a sense – reveals a clear authorial stamp, a signature,displaying clear elements of continuity with a form of American cinema (from Quentin Tarantino to Paul Thomas Anderson), and, at the same time, a systematic approach that differs from the majority of Italian cinema (first and foremost the work of Nanni Moretti and Paolo Virzì), which requires more prudent scholarly attention. |
first_indexed | 2024-03-08T03:27:23Z |
format | Article |
id | doaj.art-58cd5b70e0444c5aa79027d344faf2eb |
institution | Directory Open Access Journal |
issn | 2532-2486 |
language | Italian |
last_indexed | 2024-03-08T03:27:23Z |
publishDate | 2020-06-01 |
publisher | Università degli Studi di Milano |
record_format | Article |
series | Schermi |
spelling | doaj.art-58cd5b70e0444c5aa79027d344faf2eb2024-02-11T18:43:29ZitaUniversità degli Studi di MilanoSchermi2532-24862020-06-014710.13130/2532-2486/12984Un "dj set" d'autore. Pratiche compilative nel cinema di Paolo SorrentinoPaola Valentini0Università di FirenzeThis essay analyses Paolo Sorrentino’s production from the perspective of the compilation soundtracks he assembles for his films. While “La grande bellezza” appears to synthesize many of the aspects of a patchwork of different songs, the overall compilation resulting from Sorrentino’s entire filmography is singularly interesting (from the song “I migliori anni della nostra vita” in “Il divo” and “Che domenica bestiale” in “Loro 1” through to “Senza un perché” in “The Young Pope”, to name but a few). This composition strategy – a playlist, in a sense – reveals a clear authorial stamp, a signature,displaying clear elements of continuity with a form of American cinema (from Quentin Tarantino to Paul Thomas Anderson), and, at the same time, a systematic approach that differs from the majority of Italian cinema (first and foremost the work of Nanni Moretti and Paolo Virzì), which requires more prudent scholarly attention.https://riviste.unimi.it/index.php/schermi/article/view/12984soundtrack compilationItalian cinemasongsPaolo Sorrentino |
spellingShingle | Paola Valentini Un "dj set" d'autore. Pratiche compilative nel cinema di Paolo Sorrentino Schermi soundtrack compilation Italian cinema songs Paolo Sorrentino |
title | Un "dj set" d'autore. Pratiche compilative nel cinema di Paolo Sorrentino |
title_full | Un "dj set" d'autore. Pratiche compilative nel cinema di Paolo Sorrentino |
title_fullStr | Un "dj set" d'autore. Pratiche compilative nel cinema di Paolo Sorrentino |
title_full_unstemmed | Un "dj set" d'autore. Pratiche compilative nel cinema di Paolo Sorrentino |
title_short | Un "dj set" d'autore. Pratiche compilative nel cinema di Paolo Sorrentino |
title_sort | un dj set d autore pratiche compilative nel cinema di paolo sorrentino |
topic | soundtrack compilation Italian cinema songs Paolo Sorrentino |
url | https://riviste.unimi.it/index.php/schermi/article/view/12984 |
work_keys_str_mv | AT paolavalentini undjsetdautorepratichecompilativenelcinemadipaolosorrentino |