Robert Breer’s Perpetual Motion Machine

Embodying and balancing the European avant-garde movement of the 1920s and the dialectical U.S. neo-avant-garde aesthetics of the 1960s, Robert Breer encompassed various art forms in his painting, sculpture and film. In doing so, he created a distinct style that embraces both photographic representa...

Full description

Bibliographic Details
Main Author: Dong Yang
Format: Article
Language:English
Published: Edinburgh University Press 2022-06-01
Series:Film-Philosophy
Subjects:
Online Access:https://www.euppublishing.com/doi/10.3366/film.2022.0196