Robert Breer’s Perpetual Motion Machine
Embodying and balancing the European avant-garde movement of the 1920s and the dialectical U.S. neo-avant-garde aesthetics of the 1960s, Robert Breer encompassed various art forms in his painting, sculpture and film. In doing so, he created a distinct style that embraces both photographic representa...
Main Author: | Dong Yang |
---|---|
Format: | Article |
Language: | English |
Published: |
Edinburgh University Press
2022-06-01
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Series: | Film-Philosophy |
Subjects: | |
Online Access: | https://www.euppublishing.com/doi/10.3366/film.2022.0196 |
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