Haptic Transgression. The Horror of Materiality in Kurt Kren’s Films

The article investigates two seemingly conflicting critical approaches of haptic and transgressive cinema, which emerged along with the corporeal turn in film studies, in the late 1990s and early 2000s. While haptics operates with undistinguishable figures and demands extreme closeness and an active...

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Bibliographic Details
Main Author: Máté Bori
Format: Article
Language:English
Published: Scientia Publishing House 2019-08-01
Series:Acta Universitatis Sapientiae: Film and Media Studies
Subjects:
Online Access:https://doi.org/10.2478/ausfm-2019-0008