Pina Bausch and Café Müller on screen: the mise-en-scène of co-presence of bodies and closed eyes
This article addresses the issue of co-presence of dancing bodies in an excerpt of Café Müller by Pina Bausch through the cinematographic eye of Wim Wenders in Pina (2011). As a theoretical framework for this analysis, essayist and filmmaker Jean-Louis Comolli ‒ mise-en-scène, representation, co-pre...
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| Format: | Article |
| Language: | English |
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Universidade Federal do Rio Grande do Sul
2018-06-01
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| Series: | Revista Brasileira de Estudos da Presença |
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| Online Access: | https://seer.ufrgs.br/index.php/presenca/article/view/81181 |