From Gospel to Gates: Modal Blending in African-American Musical Discourse before the Signifyin(g) Monkey
Despite its origins in the literary realm, Henry Louis Gates The Signfiyin(g) Monkey: A Theory of African-American literary criticism has become a standard methodological text for the study of African-American music. Those who embrace the theory accept as the foundation of their argument an apparent...
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| Format: | Article |
| Language: | English |
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UTS ePRESS
2011-08-01
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| Series: | PORTAL: Journal of Multidisciplinary International Studies |
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| Online Access: | https://learning-analytics.info/journals/index.php/portal/article/view/1938 |