« Where are the boys? Have you found them? » : La confluence comme rencontre manquée dans Moonlight de Harold Pinter
Harold Pinter’s decision to stage what originated in a clinical case study, with Deborah’s awakening from a 29-year-long coma, triggers a reflexion on physical forms of dispossession and exposure. By making the diseased body perceptible, the play achieves a retrieval from invisibility, fully acknowl...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2017-06-01
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| Series: | Études Britanniques Contemporaines |
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| Online Access: | http://journals.openedition.org/ebc/3576 |