« Where are the boys? Have you found them? » : La confluence comme rencontre manquée dans Moonlight de Harold Pinter

Harold Pinter’s decision to stage what originated in a clinical case study, with Deborah’s awakening from a 29-year-long coma, triggers a reflexion on physical forms of dispossession and exposure. By making the diseased body perceptible, the play achieves a retrieval from invisibility, fully acknowl...

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Main Author: Adeline Arniac
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2017-06-01
Series:Études Britanniques Contemporaines
Subjects:
Online Access:http://journals.openedition.org/ebc/3576
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author Adeline Arniac
author_facet Adeline Arniac
author_sort Adeline Arniac
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description Harold Pinter’s decision to stage what originated in a clinical case study, with Deborah’s awakening from a 29-year-long coma, triggers a reflexion on physical forms of dispossession and exposure. By making the diseased body perceptible, the play achieves a retrieval from invisibility, fully acknowledging Deborah’s presence on stage. However, the attention is also drawn to her body in its materiality and to the dispossession caused by embodiment. Exposing the materiality of the body reveals its fragility and vulnerability, and acts as a reminder that we are all potentially dependent. This forced surrender of total control shows that exposure becomes a necessary way to acknowledge the other, beyond any attempts at understanding him/her through language and knowledge.
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spelling doaj.art-5de679b4aca04dfc880416b488ea9e632022-12-22T00:32:19ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442017-06-015210.4000/ebc.3576« Where are the boys? Have you found them? » : La confluence comme rencontre manquée dans Moonlight de Harold PinterAdeline ArniacHarold Pinter’s decision to stage what originated in a clinical case study, with Deborah’s awakening from a 29-year-long coma, triggers a reflexion on physical forms of dispossession and exposure. By making the diseased body perceptible, the play achieves a retrieval from invisibility, fully acknowledging Deborah’s presence on stage. However, the attention is also drawn to her body in its materiality and to the dispossession caused by embodiment. Exposing the materiality of the body reveals its fragility and vulnerability, and acts as a reminder that we are all potentially dependent. This forced surrender of total control shows that exposure becomes a necessary way to acknowledge the other, beyond any attempts at understanding him/her through language and knowledge.http://journals.openedition.org/ebc/3576alterityconfluencedependenceencounterethicsghost
spellingShingle Adeline Arniac
« Where are the boys? Have you found them? » : La confluence comme rencontre manquée dans Moonlight de Harold Pinter
Études Britanniques Contemporaines
alterity
confluence
dependence
encounter
ethics
ghost
title « Where are the boys? Have you found them? » : La confluence comme rencontre manquée dans Moonlight de Harold Pinter
title_full « Where are the boys? Have you found them? » : La confluence comme rencontre manquée dans Moonlight de Harold Pinter
title_fullStr « Where are the boys? Have you found them? » : La confluence comme rencontre manquée dans Moonlight de Harold Pinter
title_full_unstemmed « Where are the boys? Have you found them? » : La confluence comme rencontre manquée dans Moonlight de Harold Pinter
title_short « Where are the boys? Have you found them? » : La confluence comme rencontre manquée dans Moonlight de Harold Pinter
title_sort where are the boys have you found them la confluence comme rencontre manquee dans moonlight de harold pinter
topic alterity
confluence
dependence
encounter
ethics
ghost
url http://journals.openedition.org/ebc/3576
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