Body, Image, Colonial Signs in Astrid Hadad’s Corazón Sangrante
In this article, we present a discussion about the use of the heart as an important allegorical element of recognition of a collective identity in Latin America. The work of Astrid Hadad, a Mexican performer-cabaretera, of Maya-Lebanese origin, points to the criticism of a control policy that organi...
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| Format: | Article |
| Language: | Spanish |
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Universidade Federal de Santa Catarina
2011-01-01
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| Series: | Revista Estudos Feministas |
| Subjects: | |
| Online Access: | https://periodicos.ufsc.br/index.php/ref/article/view/21388 |