Beethoven und der Fortschrittsgedanke

The bourgeois/middle-class Modernity chose music for its art-as-religion and made Beethoven the key figure of its ideals. As a consequence, the “romantic image of Beethoven” (Arnold Schmitz) idealizes the composer as being freed of all earthly restrains. The notion of progress was one of the main i...

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Bibliographic Details
Main Author: Helmut Loos
Format: Article
Language:deu
Published: University of Ljubljana Press (Založba Univerze v Ljubljani) 2015-06-01
Series:Muzikološki Zbornik
Subjects:
Online Access:https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/3492