Beethoven und der Fortschrittsgedanke
The bourgeois/middle-class Modernity chose music for its art-as-religion and made Beethoven the key figure of its ideals. As a consequence, the “romantic image of Beethoven” (Arnold Schmitz) idealizes the composer as being freed of all earthly restrains. The notion of progress was one of the main i...
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| Format: | Article |
| Language: | deu |
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University of Ljubljana Press (Založba Univerze v Ljubljani)
2015-06-01
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| Series: | Muzikološki Zbornik |
| Subjects: | |
| Online Access: | https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/3492 |
| _version_ | 1828060133513494528 |
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| author | Helmut Loos |
| author_facet | Helmut Loos |
| author_sort | Helmut Loos |
| collection | DOAJ |
| description | The bourgeois/middle-class Modernity chose music for its art-as-religion and made Beethoven the key figure of its ideals. As a consequence, the “romantic
image of Beethoven” (Arnold Schmitz) idealizes the composer as being freed of all earthly restrains. The notion of progress was one of the main ideas of this social movement and it was projected on Beethoven and totalized with his music. This process is demonstrated and explained with selected examples. |
| first_indexed | 2024-04-10T21:51:12Z |
| format | Article |
| id | doaj.art-5f2f53f42dd243b7b3dd0fbc82d0dda2 |
| institution | Directory Open Access Journal |
| issn | 0580-373X 2350-4242 |
| language | deu |
| last_indexed | 2024-04-10T21:51:12Z |
| publishDate | 2015-06-01 |
| publisher | University of Ljubljana Press (Založba Univerze v Ljubljani) |
| record_format | Article |
| series | Muzikološki Zbornik |
| spelling | doaj.art-5f2f53f42dd243b7b3dd0fbc82d0dda22023-01-18T12:56:58ZdeuUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Muzikološki Zbornik0580-373X2350-42422015-06-01512576710.4312/mz.51.2.57-672848Beethoven und der FortschrittsgedankeHelmut Loos0Institute of Musicology, University of LeipzigThe bourgeois/middle-class Modernity chose music for its art-as-religion and made Beethoven the key figure of its ideals. As a consequence, the “romantic image of Beethoven” (Arnold Schmitz) idealizes the composer as being freed of all earthly restrains. The notion of progress was one of the main ideas of this social movement and it was projected on Beethoven and totalized with his music. This process is demonstrated and explained with selected examples.https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/3492beethovenreception of beethovenart-as-religionprogress |
| spellingShingle | Helmut Loos Beethoven und der Fortschrittsgedanke Muzikološki Zbornik beethoven reception of beethoven art-as-religion progress |
| title | Beethoven und der Fortschrittsgedanke |
| title_full | Beethoven und der Fortschrittsgedanke |
| title_fullStr | Beethoven und der Fortschrittsgedanke |
| title_full_unstemmed | Beethoven und der Fortschrittsgedanke |
| title_short | Beethoven und der Fortschrittsgedanke |
| title_sort | beethoven und der fortschrittsgedanke |
| topic | beethoven reception of beethoven art-as-religion progress |
| url | https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/3492 |
| work_keys_str_mv | AT helmutloos beethovenundderfortschrittsgedanke |