Model, Metaphor, Analogy: The Computational Imaginary in Arte Programmata’s Experimental Environments, 1964-68
This essay examines the immersive environments of Arte Programmata to make an argument about the significance of Italy within the global history of computer art. In environments made between 1964 and 1968 by artists of Gruppo T, Gruppo N, Gruppo MID, and Enzo Mari, the influence of computers is evid...
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| Format: | Article |
| Language: | English |
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University of Bologna
2023-01-01
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| Series: | piano b |
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| Online Access: | https://pianob.unibo.it/article/view/16341 |