The gendered politics of sex work in Hong Kong cinema: Herman Yau and Elsa Chan (Yeeshan)’s Whispers and Moans and True Women for Sale
The portrayal of women as prostitutes is common in Hong Kong cinema, and filmmakers have looked at sex work from various perspectives: as a social problem, as an index of women’s economic exploitation more generally, as a way to explore the relationship between economics and sexuality, as a window o...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
University College Cork
2015-12-01
|
Series: | Alphaville: Journal of Film and Screen Media |
Subjects: | |
Online Access: | http://www.alphavillejournal.com/Issue10/HTML/ArticleMarchetti.html |