Compositional technique and phenomenological categories of perception in the Passacaglia of Shostakovich's Symphony No. 8
This article is an attempt to apply several fundamental phenomenological concepts regarding the perception of sound, and music in particular, to the analysis of a concrete musical composition, the Passacaglia of Dmitriy Shostakovich's Symphony No. 8. We aim at exploring the underlying compositi...
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| Format: | Article |
| Language: | ces |
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Masaryk University, Faculty of Arts
2017-12-01
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| Series: | Musicologica Brunensia |
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| Online Access: | https://journals.phil.muni.cz/musicologica-brunensia/article/view/23891 |