Editing in Leone's The Good, The Bad and The Ugly (1966) and Peckinpah's The Wild Bunch (1969)
In the first part of this paper I establish the centrality of editing to cinema as an art form, with specific reference to Rudolph Arnheim, Andre Bazin, Jean-Luc Godard, and Gilles Deleuze. I then examine the approaches to montage editing taken by Sergio Leone and Sam Peckinpah, in The Good, The Bad...
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| Format: | Article |
| Language: | English |
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University of Edinburgh
2014-01-01
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| Series: | Forum |
| Online Access: | http://journals.ed.ac.uk/forum/article/view/689 |