Lights, Camera, Lumino-Politics: Lighting The Searchers, from Paraffin to LED
Across the past decade or so, “politically committed” strains of film studies have undergone a much-vaunted aesthetic turn. It is now widely acknowledged that political struggle is as likely to converge in and around the tangible, audible and/or visible surface of the filmic image as it is to involv...
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| Format: | Article |
| Language: | English |
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Edinburgh University Press
2018-06-01
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| Series: | Film-Philosophy |
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| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2018.0072 |