La violenza “giustificata”: per un’Orestea sudafricana
In Athol Fugard’s Orestes, the reception of the ancient does not flow in a conventional manner, but generates an experimental and anomalous pièce which escapes the imposition of the written text, the definite characterization of the characters, the archetypal heritage from which this pièce starts. F...
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| Format: | Article |
| Language: | English |
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University of Bologna
2017-07-01
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| Series: | Antropologia e Teatro |
| Online Access: | https://antropologiaeteatro.unibo.it/article/view/7181 |