Zur Inszenierung des Rechts in der Malerei des späten 19. Jahrhunderts. Treppen als Schauplätze geschlechtsspezifischer Verherrlichung und Verurteilung
The article begins by analysing two paintings by Francesco Hayez and Jean-Léon Gérôme, which pursue a national political interest and show women in a supporting role only. In paintings addressing socio-political themes, however, the depiction of women was much more differentiated. Particular attent...
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| Format: | Article |
| Language: | deu |
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Max Planck Institute for Legal History and Legal Theory
2024-09-01
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| Series: | Rechtsgeschichte - Legal History |
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| Online Access: | https://rg.lhlt.mpg.de/index.php/rg/article/view/2315 |