(Dis)Figuration of Memory In, Around, and Beyond Gerhard Richter's Atlas: Between Photography, Abstraction, and the Mnemonic Construction
Gerhard Richter’s Atlas is a collection of photographs and sketches that the artist started to assemble in 1961. This article aims to demonstrate that Holocaust imagery plays a unique and irreplaceable function in Atlas, creating paths throughout the project and pointing towards some of Richter’s mo...
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| Format: | Article |
| Language: | deu |
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International Association of Research Institutes in the History of Art (RIHA)
2018-10-01
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| Series: | RIHA Journal |
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| Online Access: | https://www.riha-journal.org/articles/2018/0200-mesquita-duarte |