The Ghost-Image on Metropolitan Borders—In Terms of Phantom of the Opera and 19th-Century Metropolis Paris
This paper reviews Gaston Leroux’s Phantom of the Opera in the context of the social and cultural changes of the metropolis Paris at the end of the 19th century. The Phantom of the Opera, a success in the literary world and widely proliferated in its musical and film renditions afterward, is conside...
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Format: | Article |
Language: | English |
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MDPI AG
2013-12-01
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Series: | Societies |
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Online Access: | http://www.mdpi.com/2075-4698/4/1/1 |